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Situation Continued ...
Place-Specific / Site-Specific From Lucy Lippard's 'Notes from a Recent Arrival' 1995 , we can learn much about what it means to create work in a place rich in history and current activity. "Any place is diminished when it becomes a mere backdrop for mainstream art. Art that illuminates its location rather than just occupying it is place-specific rather than site-specific..." Here Lippard articulates the importance of sensitivity to the location of art production. There is great significance in a sense of community and identity within this pottery/tile industry - Lippard notes "When history fails a community, memory takes up the task. If history comes from above and outside, from teachers and governments, stories are told from the inside at ground level ." We hope to generate a narrative, a discussion surrounding experience both shared and individual, all drawn back to the place. In merging two worlds for a weekend and exploring the weight ...
Situation
Approaching a Situational Exhibition - CLAYHEAD @ Winkhill Mill CLAYHEAD - Winkhill Mill, Swan Street, Stoke. December 2017 Following conversations around the logistics of myself and Fearn's semi-residency/exhibition, set to take place between 22nd - 25th February. Thoughts are heading towards our approach to the nature of site-responsive work. Questioning ourselves around how we bring our artistic ambition to transform a small quaint location into something reflective of our individual arts practices is a positive starting point. Akin to blurring the lines between a residency and a formal exhibition; we must think about how we also challenge the boundaries between our studio practice and the area the mill is situated in. In my current studio practice. Exploring the significance of non-places with video. They look at how in certain places, as beings, we are anonymous. Yet with an intimate gaze , value and significance is created...

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