Space
Of yet - the work is stacked, placed, merged, layered in various formats in a variety of ways. This fusion of a multitude of fragments is starting to reflect the dynamic of the collaboration.
An exchange between the business/ the workers of the tile factory, of the organisation - Ceramic City Stories- and between the artist.
We are adopting the aesthetic of the fragment in an attempt to offer something that has been brought together.
To adopt anything suggests to take hold, to merge and to blend together- in this sense- its synonymous with the fusing of myself and Fearn's primary mediums. (The material - Fearn and the immaterial - Amy)
Fit and positioning is so far meaningful in the installation of the works. As we're lacing the visual aesthetic of our own contemporary art practices with the conditions of the environment, its important for us to consider and stay sensitive to how these stark contrasts might start to blend with the environment.
What's interesting is that the work isn't about a proverbial perfectionism - creating a clean gallery space isn't the fundamental intent. To echo the space is to reflect the essence of this working environment.
In its raw format the mill is a place where the coming together of skills, ideas, creativity and communication is of great importance. The work is beginning to frame the context of the place, referencing the intricacies of its daily happenings.
~ Amy
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