Proposal -

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~ Amy

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Sense of Worth

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VISUAL ART EXHIBITION Co-curated by Amy Foster & Fearn Hepden OPENING NIGHT: Friday 23rd February - 7pm - 10pm  EXHIBITION CONTINUES: Saturday 24th February & Sunday 25th February 11am - 5pm  Amy explores the significance of human experience in spaces. Working with digitally manipulated film and ethereal print, the work captures the ephemeral and embodies a sense of meaning associated with place.  Fearn investigates the value associated with found objects, their social significance and functional importance.  By rebuilding the original object, the work generates new meaning and re-imagines its worth. The work generated at Winkhill Mill will combine opposing material practices in response to significance and meaning within the context of industry and community.
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Situation Continued ...

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Place-Specific / Site-Specific  From Lucy Lippard's 'Notes from a Recent Arrival' 1995 , we can learn much about what it means to create work in a place rich in history and current activity. "Any place is diminished when it becomes a mere backdrop for mainstream art. Art that illuminates its location rather than just occupying it is place-specific rather than site-specific..." Here Lippard articulates the importance of sensitivity to the location of art production. There is great significance in a sense of community and identity within this pottery/tile industry - Lippard notes "When history fails a community, memory takes up the task. If history comes from above and outside, from teachers and governments, stories are told from the inside at ground level ." We hope to generate a narrative, a discussion surrounding experience both shared and individual, all drawn back to the place. In merging two worlds for a weekend and exploring the weight ...
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Space

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As we continue pooling together our residency findings for the show. Of yet - the work is stacked, placed, merged, layered in various formats in a variety of ways. This fusion of a multitude of fragments is starting to reflect the dynamic of the collaboration. An exchange between the business/ the workers of the tile factory, of the organisation - Ceramic City Stories- and between the artist. We are adopting the aesthetic of the fragment in an attempt to offer something that has been brought together. To adopt anything suggests to take hold, to merge and to blend together- in this sense- its synonymous with the fusing of myself and Fearn's primary mediums. (The material - Fearn and the immaterial - Amy)  Fit and positioning is so far meaningful in the installation of  the works. As we're lacing the visual aesthetic of our own contemporary art practices with the conditions of the environment, its important for us to consider and stay sensitive to how these stark contra...
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